Artist

Rebecca Yeomans has lived her entire life centered around making. She learned to knit at eight years old and was considered the “class artist” in school. She studied studio art at UNC-Chapel Hill, receiving a BFA in 1974. After earning an MFA from Auburn University in 1979 she taught there for several years. Rebecca and her husband Tom moved to Wilmington, NC in 1984 and she worked as a scenic artist in the film industry. She was a founding board member for DREAMS of Wilmington and later taught classes. Her fiber jewelry can be seen at the CAM gift shop. After she and Tom raised two artsy daughters, Rebecca quickly moved into full time artist mode. Her current work combines botanical printing, knitting, and stitching with a painterly feel.

Artist Statement

The botanical printmaking process is almost always the inspiration and starting point for my work. Eco or botanical printing is the art of transferring color from natural plant material on to fabric or paper using pressure, moisture, and heat. Beautiful contact plant portraits are captured by bundling vegetation and fabric, either by rolling around a pipe or stacking in layers and binding tightly. The bundle is then steamed or immersed in simmering natural dye coaxing the pigment out of the leaves and on to the cloth. Results depend on many variables: type of fabric, water source, plant species, season, climate, and type of vessel used to name a few. Thus each piece is unique and always a surprise. The process involves many steps: scouring, mordanting, pre dyeing, printing with plant material, post dyeing, rinsing, and perhaps printing again. I enjoy the relationship with the natural world inherent in the process: foraging walks, growing my own dye plants, the aroma of cooking eucalyptus, and the opening of a bundle to reveal what gift Mother Nature has given. When a piece of printed paper or cloth excites me, I begin the slow process of embellishing. This involves tearing fabric, arranging and rearranging, pinning, basting, and deciding on a place to start. I approach this process intuitively, reacting playfully, exploring this or that, asking what if? The piece evolves and its story unfolds. Hopefully a lovely whole is created by the intricate details. In a nutshell, the beauty of the materials and the process of making are what my artwork is about. I am co-creating with Mother Nature and collaborating with the fabric, yarn, and thread.

I put a lot of time, effort, and care into crafting necklaces, earrings, bracelets, hair accessories and more. All of my creations are assembled using quality components sourced from all around the world. Most of my designs are one-of-a-kind, but even duplicates are each unique with the character only handmade items possess.

I find jewelry making to be a creative outlet that allows me to step away from normal daily activities and become something more than myself. I believe the individuality and boldness of my designs can do the same for those who wear them.

We all need an ALTER EGO sometimes!

Virginia Wright-Frierson has made Wilmington, North Carolina, her home for over 40 years.  She travels extensively for inspiration for her painting and frequent visits with family across the United States.

She received a Bachelor of Fine Arts degree in painting from the University of North Carolina at Greensboro, with additional training at the Arts Students’ League in New York City and the University of Georgia Studies Abroad Program in Cortona, Italy.  Virginia has lectured and taught many workshops and classes in painting and drawing and on illustrating children’s books.

She is widely known for her design and construction of the Minnie Evans Bottle Chapel and Sculpture Garden at Airlie Gardens in Wilmington, a structure built with mortar and thousands of glass bottles, inspired by the art of the visionary artist who worked in the garden for many years as a gatekeeper.

In 2000, Virginia donated the sweeping mural which is permanently installed on the ceiling of the new atrium at Columbine High School after the tragic shootings there.  It is comprised of twenty painted panels which lift the eyes to a perspective of a Colorado forest of evergreens, aspen and sunlight.

She has written and illustrated many children’s books, including three John Burroughs Nature Book Award winners:  A Desert Scrapbook, An Island Scrapbook, and A North American Rain Forest Scrapbook.

Her most recent work has included a one-person exhibition of 120 road trip oil paintings at the Cameron Art Museum in Wilmington, and a “pop up” exhibit of new oils and watercolors at 216 N. Front Street sponsored by Art in Bloom Gallery.

At Art in Bloom Gallery, Virginia exhibits a variety of oil and watercolor paintings and lino prints inspired by nature, the figure, landscape, color and light.

Virginia’s website can be found at:  virginiawright-frierson.com

Art Made with Light, Artist Statement

I made my first photogram in 1986 in Mr. Fecik’s photography class in high school.  At the time, making silver gelatin photograms was simply a way to learn my way around the darkroom.  It taught me how to use an enlarger and what the various chemicals do.  Leaving photograms behind, I pursued photojournalism throughout high school and college.  After graduating with a BA in English from NC State University, I started working for a branch of Eastman Kodak called Qualex.  I was in tech support, helping one-hour-photo lab operators fix their problems via telephone.  Over the next several years, I moved further away from photography and became further entrenched in corporate America.  I eventually realized that wasn’t where I was meant to be, and left the corporate world to pursue more creative endeavors.  I took some film photography classes at Cape Fear Community College to get back into the swing of things. Soon I started working there as the darkroom assistant.  Four years later I became pregnant with my daughter and left my job at the community college to focus on being a mom.  When my daughter was about a year old, my husband completed the darkroom in our garage.  The baby-monitor picked-up a signal out there, so I was able to go into the darkroom during naptime, in addition to occasional evenings and weekends.  Making photograms gained traction for me during this time because it was photography I could do without wandering too far from my young daughter.  She was and still is my regular, full-time job.

I initially began making photograms using what I refer to as my “critters”; seahorses, crabs, butterflies, dragonflies, sea whips, wildflowers and other found curiosities.  My husband works in coastal science and helps me gather specimens.  No animals are ever harmed—they’re gathered after they’ve passed.  One day my husband came home with a deceased baby stingray.  He had noticed some fishermen getting ready to toss it back.  He asked if he could have the ray and they agreed.  So the joke now is that it’s all fine and good if your husband brings you flowers.  But it’s really exciting if he brings you a dead baby stingray.

When Hurricane Florence dumped nearly 30 inches of rain on us, a good bit of that went into my darkroom. Sadly, I wasn’t able to work in there for close to eight months.  Being in the darkroom is like therapy, so I had to find a substitute.  I started making cyanotype photograms in the yard, using UV light from the sun.  As my mind wandered while I was working, I wondered if I could combine cyanotype photograms and silver gelatin photograms.  I did a small test with some old silver gelatin photograms I had.  The results weren’t great, but they were good enough to convince me to pursue the process further.  In 2019, I received recognition in the Denis Roussel Awards for an outstanding body of work for a series done in the cyanotype on silver gelatin process. Juror Jessica Ferguson said, “This photographer invented/developed a technique involving cyanotype printed onto black and white gelatin silver paper. The statement reveals great resourcefulness in working without a darkroom in the aftermath of Hurricane Florence.”

Art Made with Light is a new collection of cyanotype on silver gelatin photograms. The three-step process requires thoughtful planning and time spent both in a traditional darkroom and outside under the sun. For this body of work, sea whips gathered from local beaches are combined with seashell x-rays and other collected items to create images that are eye-catching and unique.  Framed photograms in the series also include the original, found sea whip that was used for the B&W portion of the photogram. Add the sea whip to an existing collection, display it as an object of décor or return it to nature for it’s next, yet unknown purpose.

As with all my photograms, this series is a reminder to always try to see things in a different light.

Watch a short video about Melissa’s Photogram Process

“OBSERVATIONS”

Discover the possibility of a creative image right before your eyes.

As far back as I can remember, I have been engaged in various creative endeavors such as drawing and painting. Two years of Civil Engineering at the University of Maryland did not provide me with the means to express my creativity and so, I changed my major to Fine Art. After more than 43 years in the graphic, printing and creative design field, I retired from my Creative Director and Department Head position to move to the Wilmington, NC area. The beauty and natural energy of the environment and artist community here has rekindled my creative energy.

While photography is my current creative medium, I have noticed that my art and graphic  background plays heavily with my images. I begin by observing my surroundings before even taking my first photo. I look for lines, shapes, layers, colors and textures. I consider taking photos from various angles and heights to best capture the image. I mainly use a Fujifilm X-T3 camera and occasionally, my iPhone Pro 12 in RAW mode, to be able to employ various lighting effects. I bracket my shots and take full image as well as tightly cropped images so I have plenty of information going into post production. I select the image that best captures my observation and the emotion I felt when I saw the image. I want to communicate the same visual excitement to the viewer through a printed piece.

I hope you enjoy my excitement and feel the emotion of my latest collection.

Art in Bloom Gallery is delighted to partner with Visions of Creations Gallery in Black Mountain, NC home of renowned jewelry designer, Roberto Vengoechea.  We have a selection of Roberto’s custom-made, fine art jewelry in Art in Bloom Gallery.  Roberto also designs and creates commissioned jewelry upon request.

Artist’s Statement

One compliment I won’t forget was a few years after we moved here from Florida. A reporter penned an article about my work and titled it “Dr. Seuss meets Salvador Dali” and further described my work in the article. To this day, we still use this catch phrase as part of our advertising.

Jump forward 20 years – my work is very geometric, futuristic and out-of- the-box, words used by many visitors. When visitors come into our gallery and ‘drool’ over the jewelry, I now tell them that I came here from the 25th Century in a time machine and can’t get
back.

Inside my imagination, my respect and admiration belongs to Antonio Gaudi and Salvador Dali. I travel in parallel lines. I see through the same window but with a different vision creating pieces that are outside the box. This is why I named my business “Visions of Creation.” Those are the visions I see in the Creation. We recently celebrated 20 business years at our Gallery here in Black Mountain, NC. We created a photo collage of work from our opening spanning 30 years. When we first viewed the collage, we realized that those early pieces are as timeless then as they are now. You cannot tell the difference between the progression of time.

I consider my designs to be Avant-Garde – they defy traditional forms and genres, yet are practical in their form and fit. Like Gaudi, I like to fuse organic with architectural design in a futuristic manner, confounding the conventional and pushing the boundaries of ‘thinking outside the box.”

Kirah Van Sickle is an adventurer at heart. Her early years set a foundation for travel, exploration and visual storytelling. Her acrylic and mixed media works explore incorporating found objects and papers with the paint glazes. These are deeply personal expressions of her memories and dreams. In addition to her studio practice, Kirah is a dynamic instructor and lecturer, leading custom studio courses through museum schools and local art associations, directed to both beginner and seasoned artists. She is an award-winning illustrator, graphic designer and studio artist, a certified Golden Artist-Educator, and active in community arts programming, preservation of cultural resources and enhancing arts education. Kirah lives on the Cape Fear Coast of North Carolina and is a staff instructor at the Cameron Art Museum, Johnston Community College, and Cape Fear Community College. Details on workshops, exhibits and work can be found at her website: www.kirahfineart.com

Artist Statement
The silence between words defines them, gives them meaning. This is Caesura…a notable pause. It is a threshold or vast sea over which one crosses, both literally and metaphorically on the journey to self. Visually exploring this theme creates a record of my travels, memories and dreams.

My process includes painting en plein air, exploring the immediacy, unpredictable aspects of color, time and place, as well as commitment to my studio practice. I paint vast color fields of a muted, complementary palette, seeking the geological patterns etched in nature, and memory. Incorporating ephemera between layers of acrylic glazes onto canvas provides a mixed media process that hints at experiences, producing nuances of texture and color. By marrying both my foundational, representational style with a contemporary mixed media process, my paintings speak to the duality and journey as artist. Exploring my own contemporary narrative, these works reflect the hopes and desires common to this theme – bridging the unknown, ultimately finding meaning and connection to ourselves and each other.

Gayle Tustin was born in New Castle and grew up in Sharpsville, PA. She has been fascinated with art since early childhood, cutting up old wallpaper books and magazines for pasting into collage assemblages, to making mud pies in the backyard.

Penn State University laid the foundation for her ceramic work as well as Alfred University in NY, after initially completing an Associate Degree in business from Robert Morris University, PA. Tustin is the first person to graduate with honors in Studio Art from the University of North Carolina Wilmington in 1996.

She has participated in numerous artist colonies including Northern Macedonia, Spain, Germany, Brazil, and South Africa. She is responsible for helping to create the No Boundaries International Art Colony, a gathering of local and international artists that meet annually on Bald Head Island to make art.

Tustin has been commissioned for donor tile memorial projects in Wilmington by the Lower Cape Fear Hospice including “Celebration of Life I, II & III” and “Safe Passages”, as well as “Bountiful Life I – VI” in Whiteville. Her ceramic relief commissioned works can be seen in Raleigh at the NC State Bar Foundation, “ We are the People of North Carolina” and Novant Health in Winston-Salem, “With Compassionate Care” and “Landscapes from Memory”.

For more information about Gayle’s extraordinary art, see her Artist’s Statement below and read “Freedom, Fluidity, and Flow: The Life and Work of Gayle Tustin” by Fritts Causby in Wrightsville Beach Magazine, September 2023.

Artist Statement

Art has been part of my life for as long as I can remember. I am a nonrepresentational ceramist, sculptor, painter, collage and assemblage artist. My 3-D art includes hand-building vessel sculpture, relief wall tiles, and other three-dimensional objects. My 2-D art includes mixed media art with acrylic and oil paint, graphite, collage, sgraffito, sewing, found objects, birch bark, India ink, sailing charts, and more.

When I begin a piece, a progression of conscious and unconscious decisions starts my process. Experimentation is always important … feeling the force of my imagination along the way. Much of my inspiration comes from my environment, travel sketchbooks, the great outdoors, books, dreams, conversations, museums, trash treasures found in the street, gesture sketches, swimming, long walks, antique stores and more.

My latest work is a series of ceramic narrative vessel sculptures in red earthenware, inspired by native drums. My clay process has various steps with some pieces taking months to complete. The ceramic works are multi-kiln fired with terra sigillata (earth seal) and oxide patinas as well as silica glazes. They have a beautiful “ancient” look and feel about them. I spent years testing the possibilities of “terra sig” and oxide combinations to complete a library of 100’s of test tiles that I continue to use as guides for color effects.

Pam Toll, an Associate Professor at UNC Wilmington, received a BA in Art and English Literature from UNC Chapel Hill and has been painting since childhood. Her studio is located at Acme Art Studios (Wilmington) which she co-founded in 1991, as a work and exhibition space for artists. She also co-founded No Boundaries International Art Colony (Bald Head Island, NC) in 1998, a residency program that in the last twenty years brought over 200 artists from around the world with the goal of creating a cross-exchange of cultures and artistic practices to share with our local community.

Traudi Thornton
(April 4, 1940- March 30, 2023)
Master Ceramicist

Traudi was born in Czechoslovakia in 1940. She first studied music at Creighton University before studying ceramics with Henry Soreco at Creighton, the University of Nebraska at Omaha and raku in a workshop with Paul Soldner at the University of Nebraska at Omaha in 1972. She returned to Germany and joined a cooperative art community in which she lived and worked on ceramics.

Love precipitated her move to Wilmington in 1983. She once again built a ceramic studio and began teaching ceramics at the Community Art Center where she influenced many budding ceramists.

Traudi said, “Working with clay validates my existence. During the plastic state, the relationship is that of master and a much beloved pet. I tell the clay to stay and push it, but often I have to listen. We have a rhythm. Clay needs heat to be transferred to a hard material. After the first fire everything turns from a state of grey to pink, and a slight estrangement takes place because they now look different than what they did before. Glazes also look pink or white or grey before they are fired. I imagine now how the optics will look in their final state, and after making choices the second fire takes over. Total surrender is demanded by heat and flame. After the firing is completed, the cooling period leaves my mood fluctuating between doubt and hope. And, then only after removing the pieces from the kiln, can I say they belong to me.”

Traudi showed and sold her work through Art in Bloom Gallery beginning in 2015.  She is survived by brother, Walt Bayer and his wife Tina, nephew Jurgen Wilde and the family she chose and loved here in Wilmington.

Having studied at UNC Chapel Hill, Gale considers painting as an ongoing study. Recently, she studied with Robert Longley at the Cape Cod School of Art in Provincetown, MA and also with Lois Griffel, the former director of the Cape Cod School of Art. The school is based upon the impressionistic teachings of Charles Hawthorne and Henry Hensche who were influenced by Monet and his observation of the ever changing effects of light on nature. She has also attended workshops with nationally acclaimed artists such as John Poon, Charles Reid, Morgan Samuel Price, Rick McClure and other fine instructors.

Gale has found a new interest in working with copper.  As a plein air painter, she began using copper panels as her canvas and loved how the copper made her colors warm and vibrant.

She experimented with different gauges of copper and mediums and discovered that inks and oils on copper made colors radiate vibrantly. Never quite sure where the colors and copper will take her, Gale paints, cuts and weaves two abstract paintings together to create a dimensional piece of art.  The soft gentle curves that she cuts into the copper, allows her to form the piece into soothing and thought provoking structural designs.  It is her desire that the viewer will experience a personal interaction with her art. Often, she writes small quotes, prayers or poems that relate to the piece of work on the back of the copper strips and weaves them into the design.  Gale donates a portion of the proceeds from her sales to various organizations and charities.

Gale is an award winning artist with her works exhibited in galleries, private collections and corporate installations.

Born in Buffalo, NY my family eventually moved outside of the city to a small town which had an antique shop. I remember at the young age of 12 going in one day and being amazed by the unique one of a kind items including some of the antique furniture in various styles made from varying species. At the age of 15 & now living in Eastern North Carolina I started working my 1st job cleaning floors. I remember being excited to work not only to make some $$ but to learn a skill. I was never one to sit around twiddling my thumbs. I like to blame this on my father who set a great example of how to provide for your family sometimes working 2 & 3 jobs at times to make sure we had a roof over us and food on the table.

Anyway after about 9 years or working in about 6 different fields of work that really didn’t suit me. I started working for my father-in-law’s auction company which I enjoyed since I got to learn so much more about antiques and furniture. I learned how to repair and refinish pieces that came in for the auction. I learned the various styles from throughout the last 200 years along with the species & techniques used to make them. I especially fell in love with Mid Century Modern designs by Knoll, Eames, Jacobsen, Nelson especially the naturalistic style of the famed George Nakashima.

Eventually with my ever growing family of 7 I needed to somehow make some supplemental income. So in 2015 I started buying well used and worn out furniture as well as some cool vintage & antique industrial pieces that I could repair, refinish, recycle or up-cycle into one of a kind pieces I would sell at various local consignment shops. Working on those pieces one day out of the week. One day someone who saw my work contacted me and asked me to make a 10’ long custom entryway table from scratch using new materials. Something I had never done before and had zero experience doing. But if you know me you know I’m always up for a challenge. And from the completion of that table I was hooked with making things with my hands from local sustainably sourced woods and recycled steel.

What started out as a 1 day a week way to make some extra money to help support my family 3 years later it became a full time job where I can work from home and be close to my family and each one of them has at one time or another come out to the garage and helped me work on projects among other things making it a full family affair. I get to work with my hands using natural materials I have always had a special place for in my heart. I always tell people I don’t make the gorgeous materials I use. I can only enhance and show off the beauty our Creator has given us. And I take something that could have eventually rotted and returned to the earth and make it into something that will last a lifetime or longer.

Satava Art Glass, located in Chico, CA, produces an array of stunning hand-blown and solid forms in glass. Their work is well known and appreciated throughout the world. Richard Satava’s hand-blown vases, depict beautiful natural landscapes, have made many a person melt.  Each handmade piece is engraved and signed by Satava Art Glass for proof of authenticity.

Born July 18, 1942 in Philadelphia, Pennsylvania, H.M. Saffer II launched his career by exhibiting his art at a public art show at the tender age of six.

Upon graduation from Temple University in 1965, he traveled to Paris, France to enroll in graduate economics courses. Concurrently, HM’s path took a different twist, as he soon leveraged his musical talent performing with notable French stars Hugues Aufray, Jacques Brel, Charles Aznavour, and many others. He was later hired by Barclay Records as a producer, and had several hit records in 1968 and 1969. During this period, he was also the chef / owner of two restaurants in Paris, and later a third located in Ibiza, Spain.

Remarkably, as engaged as he was, HM never stopped painting and exhibiting his works. Several of his shows – sponsored by his restaurants and music associates – “sold out” and were favorably written up by the press. Before returning to the United States in 1970, he completed selected studies at L’Ecole Des Beaux Arts and exhibited in Paris and Brussels, Belgium.

HM continued on with his music career in the United States at Warner Brothers Productions where he co-wrote the international hit song, “Look What They Done To My Song, Ma”, recorded by Ray Charles, Melanie and other performers. While at Warner he painted a forty foot mural in their Madison Ave., NY headquarters and exhibited his works in the firm’s lobby. In 1972 HM was hired by the dynamic songwriter/producer Bob Crewe as Senior Vice President for the Crewe Group of companies where he worked with the industry’s top names including Frankie Valli and the Four Seasons, Vicki Carr, and Oliver. Later that year, he established HMS Two Music Ltd. and spent his time writing and producing music for films, commercials, recordings and Broadway productions. HM’s work in the commercial field is familiar to us all with creations for Pepsi, Mountain Dew, Ford Motor Company, and Michelob among others.

All through this period HM’s art continued to refine and yet broaden in its scope. In 1981 he began to study the art of Japanese brush painting. He left for Japan in 1983 to study with Japanese masters, and there he met his wife, Hisayo. While in Japan, HM adapted his Sumi-e techniques by applying Western styles of painting.. He was represented by Galerie Musee and the Artbridge Gallery in Japan, and in Hong Kong by Alisen Gallery and the Kwai Fung Hin Gallery enjoying successful solo exhibits.

HM reentered the United States in 1994 and took residence in Upstate New York. His style of painting shifted from exclusively works on paper to include oils. He began melding his Oriental influences with his Western styles in order to create new and different path towards interpersonal visual expression, and his current works are a reflection of this mélange.

HM has instructed at the Norman Rockwell Museum in Stockbridge, MA, Berkshire Community College,  Columbia-Greene Community College, Osher Lifelong Learning Institute (OLLI), Art School of Columbia County (ASCC).  He currently has gallery representation both in the United States and Internationally.

Artist Statement

I work primarily as a painter in oil, but also work two dimensionally in collage/mixed media and three dimensionally in ceramics and papier-mâché. When painting and when working three dimensionally, my work is mostly representational. Collage/mixed media work is largely non-representational. I enjoy going between the three freely based on which one fits what I want to say at a given time. Regardless of the medium, all share the same intention of portraying things which are more than they superficially seem. I want to suggest a story, show a certain light, a moment, a mood, a shared memory. I take my own reference photos. These are images which said something to me.

I like to work in multiples and within themed series as this allows me to more fully explore aspects of a subject or theme. In the past – and continuing – this has included a focus on local foods and food providers, such as produce stands and fish markets, as this gives me a way to speak about food as an expression of region and culture. Recent animal paintings include some of the earliest breeds brought to the Americas, but I am playing with other aspects such as the joy of a hog wallowing in the mud on a hot day or goats taking a sunbath in the sandy dust of eastern NC. A painting of a Devon Red cow becomes a nod to 19th century paintings of prize winning animals.

I enjoy invoking references to art history and am currently working on a new series of still life’s inspired by the work of Fede Galizia, a Renaissance female painter.

About the Artist

Angela Rowe is a native of Pisgah Forest, North Carolina. Although she grew up drawing and making objects, she took other career paths,  working an architectural historian, in arts administration, and managing high complexity global projects for IBM.

Since 2013 Angela has focused on making art, maintaining a studio practice at ACME Art Studios since 2014. She received an AFA in Visual Art from Cape Fear Community College In May 2018.

Primarily a painter, she also works in mixed media, print making and ceramics.

Virtual Tour created by Matterhorn Media.

Artist Statement

The paintings are about the act of painting. Although individually the paintings possess different intensities, opposing levels of complexity and abstraction, and perhaps a vague adherence to a narrative, the core of the process of painting remains consistent. The paintings are a reflection of the process of painting them. Every process is unique.

The magic of painting can never be totally explained. I find joy in discovering the emerging world of a new painting. Although harmony of the mind and the heart is important, the metabolic process of converting color, form and line into the forces that drive the painting is absolutely necessary.

Artist Bio

Education:
Brevard High School
Brevard, NC – 1965
University of Miami
Coral Gables, FL,USA – Marine Biology, 1965-1968
University of North Carolina at Charlotte
Charlotte, NC, USA – Creative Writing Program 1970-1972
Western Carolina University
 Cullowhee, NC, USA – BFA Ceramics and Painting 1979

Employment:
Science Museums of Charlotte
Charlotte, NC, USA –  Exhibits Tech 1979-1982
North Carolina Aquarium at Fort Fisher
Kure Beach, NC, USA – Curator of Design and Exhibits 1982 – 2008
Artist
Acme Art Studios – Wilmington, NC, USA   1979 – present
Poet
1970 – present

Affiliations:
WHQR Public Radio – Local Advisory Board
Wilmington, NC, USA
1996-2004
North Carolina Museums Council
1979 – 2002
Southeastern Museums Conference
1979 – 1985
Wilmington Railroad Museum – Planning committee chairman
Wilmington. NC, USA 1995
Acme Art Studios – co-founder
Wilmington, NC, USA 1991 – present
No Boundaries International Artist Colony – co-founder
Wilmington, NC, USA 1997 – 2010
Art Point Gumno
Sloestica, Macedonia 2005 – present
African American Heritage Foundation
 Wilmington, NC 2009 – 2011

Publications:
Southern Poetry Review
Saint Andrews Review
Kostroma Poetry Project (Russian translation)
Between the Lines – Poetry festival chapbook
Poems for Macedonia
Various chapbooks

More of his works can be found on his website.

Artist Statement

Ever since I can remember, I have been filled with a great love for frogs and toads. Everything about them, from their bright eyes and wide grins to their powerful leaps and graceful strokes, amazes me. I try to capture the beauty I see in frogs in my artwork, and to express the love and joy I feel for them with those who see my pieces. More importantly, I hope to contribute to amphibian conservation efforts worldwide, and make a real difference in the lives of the thousands of frog species currently threatened with extinction. Frogs need us, and I believe we need them too.

While I have always enjoyed creating frog artwork, it became a true passion for me when I discovered SAVE THE FROGS!, an amphibian conservation organization, and the enormous threats that frog species face. Ever since, I have used my artwork as activism, including informative fact cards about species I depict and donating 10% of my sales to SAVE THE FROGS! I use a variety of mediums, including acrylic paintings, watercolors, sculpture, digital illustrations, and animation. My pieces tend to draw heavily from real life, both because I love animals as they truly appear and so that each species is distinctly recognizable. That said, I make my pieces lively by enhancing colors and giving all of my subjects a smile. Though frogs may be suffering dramatically in the world we live in, I want to live in a world where I can find them smiling everywhere. I work to help create that world in my art, and in real life.

Biography

Born in Memphis, TN, Jessie Robertson moved with her family to Wilmington in 2010. Since 2017, Jessie’s award-winning art has displayed in several group and solo art exhibits, including shows at Wilma Daniels Gallery, ACES Gallery, 216 N. Front Street, the NC Aquarium at Fort Fisher, and Art in Bloom Gallery. In 2019, Jessie graduated from Wilmington Early College High School as valedictorian and from Cape Fear Community College (CFCC). Today, she is majoring in both Studio Art and Digital Arts at UNCW and working as a part-time employee at Art in Bloom Gallery, where she edits their artist films. Jessie hopes that the more she learns and creates, the more successful she will be in achieving her goal of saving the frogs.

More of Jessie’s work can be found at: https://jessielrobertson.wixsite.com/portfolio

Wilmington artist, David A. Norris, has a BFA degree from the East Carolina University School of Art.  Long settled in the Port City, he finds the historic atmosphere of Wilmington and the natural beauty of the Cape Fear River and the coast provide limitless sources of artistic inspiration.

Most of David’s work reflects the landscapes of the places where he has lived or visited.  Through his interest in art history, his work has absorbed influences such as English watercolors, 19^th century engravings, Japanese woodblock prints, Dutch Baroque landscapes, and Van Gogh’s reed pen drawings.

David recently has begun a series of monoprints that combine printing techniques with color pencils and lithograph crayons. They build on and compliment a long-standing series of regional cityscapes and landscapes done in watercolor and color pencil. He also works in other media ranging from black and white pen drawings to silverpoint, scrimshaw, linoleum block prints, and collage.

Wilmington artist, David A. Norris, has a BFA degree from the East Carolina University School of Art.  Long settled in the Port City, he finds the historic atmosphere of Wilmington and the natural beauty of the Cape Fear River and the coast provide limitless sources of artistic inspiration.

Most of David’s work reflects the landscapes of the places where he has lived or visited.  Through his interest in art history, his work has absorbed influences such as English watercolors, 19^th century engravings, Japanese woodblock prints, Dutch Baroque landscapes, and Van Gogh’s reed pen drawings.

David recently has begun a series of monoprints that combine printing techniques with color pencils and lithograph crayons. They build on and compliment a long-standing series of regional cityscapes and landscapes done in watercolor and color pencil. He also works in other media ranging from black and white pen drawings to silverpoint, scrimshaw, linoleum block prints, and collage.

About the Monoprint Process

Monoprinting is a process by which the artist creates prints, but only as single, unique copies.

One variation, the “plexiglass print”, begins with a thin layer of block print ink rolled by a brayer onto a sheet of plexiglass or other firm, smooth material. The artist lightly places a sheet of paper face down on the glass. A guide sketch can be taped to the back of the sheet. Wherever the artist traces a line of the sketch — by pen, pencil, or even a fingertip — the pressure transfers a mark to the printing paper. When done, the paper is carefully pulled from the plexiglass and allowed to dry, leaving the new print.

The new monoprint can stay “as is”, or the artist can continue printing additional colors of ink onto the sheet. It is also possible to embellish the print by hand. The thick printmaking ink, when dried, makes a rich surface for color pencil or other drawing media.

Artist Statement

Whether I am working in black and white or color I’ve sought to suggest in my paintings – in addition to beauty -feelings of hope and peace.

Most of the black and white verticals started with music. They were born out of the genius of others such as Mozart and Bach. When I am listening to a piece of classical music and I close my eyes, what I see is the lines, the vibrations and explosions of the sounds, the notes, and the music. It always comes to me that way. And then black and white, never color, perhaps referencing the notes and sheet music I have seen throughout my life.

While the black and white pieces are inspired by music, the color pieces are about light and imagination. My color work is heavily influenced by nature and the magic of the ever-changing landscape.

I primarily work with watercolor on canvas, but my intention is never to follow the traditional path of watercolor. I am always experimenting, using the fluidity of the medium to my advantage. Sometimes I will use printing techniques to achieve patterns, sometimes spraying and rubbing and creating shadows by taking the paint off as quickly as I have applied it. It’s an exciting process because the outcome is always a surprise and that is what I look for, the happy accident when the very wet paint has a mind of its own and directs my next step.

About the Artist

Constance Pappalardo was born in Lima, Peru. She moved to New York City at the age of eight. The art and culture of the city inspired her to pursue her art studies. After high school, Ms. Pappalardo studied painting at The School of Visual Arts, in Manhattan.

Pappalardo now lives in Cary, North Carolina. Her contemporary abstract watercolors have been featured in numerous galleries in Cary, Raleigh, Chapel Hill, and other cities in North Carolina.

She is a member of the Fine Arts League on Cary, The Visual Art Exchange in Raleigh, Artspace and of The Durham Art Guild in Durham.

Ms. Pappalardo is the recipient of various art awards. Her works are included in local corporate collections as well as private collections in the states as well as England, Norway, Germany, Italy, Portugal, Russia, Mongolia, Moldova, and her native Peru.

She was chosen to be the signature artist for Cary’s 2007 Spring Daze Arts and Crafts Festival and is one of the original founders of The Cary Art Loop, Final Friday Art Walk.

Ms. Pappalardo is very involved in many charity art auctions, donating art throughout the years to such charitable events as VAE’s For the Love Art auction and gala, the Works of the HeArt/ action against AIDS auction and gala, North Carolina Museum of Art’s Art of the Auction, the Red Cross, the Boys and Girls Club of Wake County and Habitat for Humanity among others.

From the time Meg McGrew first picked up a camera, she’s always been fascinated by shadows.  Meg loves the way our shadows elongate in late afternoon sun. She’s hypnotized by the crisp morning shadows that appear on her bathroom walls, outlining a piece of pottery or a cascading strand of leaves from a flowerpot on a shelf.

Lately Meg has been focused on how objects and shadows can be transformed into different and unique images. She’s taken the original photos and altered them digitally, playing with exposure, color, contrast and applications that add texture to the image. Time melts when she’s involved in this process.

Over the years, Meg has expressed herself creatively through photography, pottery, painting and drawing. But taking photos has been the most integral part of her creative life. Catching the play of light on an object or person, combined with a cast shadow, is Meg’s ongoing point of focus. Meg’s intention with her current series of photos is to illustrate how things change in time and in our imaginations, moment to moment.

“Out of the Shadows” Artist Statement

It was a bright sunny morning in early August 2016. I was on highway I-40 headed to Maryland. My Mom was getting hospice care at home, and I had planned to take over the caregiving from my brother Kevin for a while.

Suddenly, out of nowhere, a car came careening across and over the median, and spinning toward me as I was going 70mph.The crash was loud and hard. I had many broken and shattered bones, some of which could not be fixed. After months of numbness, the symptoms of Post Traumatic Stress Disorder set in.

I was grateful to be alive though, and still cannot fully express my gratitude to the many people who supported me after the crash. You know who you are.

It took a long while for me to make any kind of artwork again. But one day I was sitting in my wheelchair and had my camera nearby. I picked it up and started to photograph my shadows on the wall across from me. Now I see it as my first attempt to creatively deal with the trauma. I took pictures of the shadow of the heavy boot on my right leg and my hand reaching out in a helpless sort of gesture.

Years have gone by now, and the title of this show Out of the Shadows, reflects my coming through the darker, shadowy world of trauma to the more colorful creative life I have today. It also relates to a lifelong fascination I have had with shadows.

The images in this show started with photos either totally made up of shadows or where a shadow is a primary focus in the piece. I have then used an online photo editing program to digitally alter them in some way. I was so excited when I first got into this process. I was amazed at what I could create by changing the color, texture or shape of the original images.

In the beginning, some of the wonderful results came about by chance, as I explored the digital possibilities. Then I became more purposeful in how I transformed them,  while still being open to what I might stumble upon.

Light and dark. Day and night. One complements the other. I now have a deeper appreciation of the way shadows can accentuate the light in the image and in my life.

“Even in darkness it is possible to create light…” -Elie Weisel

“Life is an endless journey of self-discovery, a dance between the shadows and the light…” -Rumi

Clarence is an artist based in Durham, NC, who specializes in cold wax, oil, and acrylic mediums. His artistic creations are a result of his deep inspiration from a diverse range of tribal icons and symbols originating from different cultures across the globe. Mayo’s artistic vision is notably shaped by the artistic and cultural intricacies of both Africa and Central America.

Clarence comes to Art in Bloom Gallery through an artist exchange project with the Durham Art Guild.

About the Durham Art Guild

The Durham Art Guild is a nonprofit member-driven visual arts organization established in 1948. The Guild’s mission is to enrich and connect our communities by creating opportunities and providing leadership for current and future visual artists and art enthusiasts. The Guild programs over 40 exhibitions annually across multiple NC community partnership venues featuring over 400 regional artists. In addition to the Creative Mentorship Program and the Artist in Residence Program, the Guild also produces over 20 arts related events each year including receptions, lectures, community building events and professional development workshops. For more information about the Durham Art Guild please visit www.durhamartguild.org or follow us @durhamartguild

Some of the Curtis Krueger’s earliest memories are of his father and him drawing at the dining room table. He was told our television broke down when he was in kindergarten, and his parents, although they could afford to repair it decided not to.  Curtis places much of his fascination with the art-world with their encouragement and direct participation. The lack of television as entertainment is another. Curtis studied art at Eastern Michigan University, earning a BFA, along with two teaching certificates. It was in school where he took a darkroom class and got the incurable photo bug.  For the last 25 years he has earned a living selling my photos at various art festivals and galleries across America. Traveling is a big part of his schedule. Half the year is taken up with either shows or photo gathering trips. On an average year, Curtis travels 30,000 miles and shoots 50,000 images.

Brooks Koff  “paints with glass” creating unique glass mosaics that beg for a sunny window to catch and transform light into brilliant color! Unlike traditional stained-glass work, her pieces are created without the use of patterns, giving her freedom to fully explore color and design.

For nearly twenty years, Brooks volunteered as an art teacher at her children’s elementary school, New Horizons. In 2004, she was invited to be one of the contributing artists to the Minnie Evans Sculpture Garden and Bottle Chapel in Airlie Gardens. She helped over 100 local students create the mosaic stepping stones that adorn the foundation and walkway into the chapel. She also created a tribute piece to Minnie Evans–a small mosaic wall around the back of the structure.

Her work has been featured in many local magazines – Encore, WILMA, Wrightsville Beach Magazine, SALT, and Haven (the Bald Head Island Magazine) – as well as highlighted on a nationally syndicated PBS show.  She participates yearly in the Heart Art Show at the Cicada Metals Gallery, Art for the Masses, and the Spring Flea at the Brooklyn Arts Center.

She’s an army brat and the self-proclaimed “well-adjusted middle child” from a family of eleven children! She and her husband raised their five children here in Wilmington—several of whom have grown up to be artists themselves.

Dave Klinger creates original art.  Currently, Dave is showing unique photographic prints  at Art in Bloom Gallery. He works in varied materials enjoying the fresh possibilities that appear.

ARTIST’S STATEMENT

Each time the camera is picked up is an opportunity for a fresh experience. We really cannot know what is out there in the streets and valleys and we are invited to approach the day with openness. This is where the excitement comes from in my work.

Lately I’ve been enjoying the imperfect images … the ones that often seem to reveal  something beneath the photo itself. A hint of a stray flash of color. An unforeseen distortion of light. A jumbled focus that might prompt a sight we are surprisingly unaccustomed to.

I am indebted to the many teachers and exceptional photographers sharing their amazing work and prompting me to offer mine.

Doug Haas is a wood turner who creates exquisite, original works of art often from wood found on local streets.  He is a volunteer woodturning instructor and mentor at Topsail High School and an active member of the Wilmington Area Woodturners Association and the American Association of Woodturners.  Doug’s wood turning builds upon his previous experience and exploration in painting and design.

Doug graduated from East Carolina University in Greenville, NC with a BFA in Art with a studio major in painting and a minor in wood design. He also studied art at the Universidad de las Americas in Cholula, Puebla, Mexico.

In addition to his work in the arts, Doug has a 30+ year career including 20+ years as an area coordinator for the NC Division of Emergency Management and as an emergency management specialist for the US Marine Corps, in addition to other positions in training and development.

One of his favorite quotes is “Why not go out on a limb?  That’s where the fruit is.” Mark Twain

Georgeann Haas has spent most of her life in southeastern North Carolina teaching and creating art. After completing her Bachelor’s and Master’s degrees at East Carolina University, Georgeann began her career as an artist and educator.  Her artwork was shown in exhibitions, competitions, and galleries across the state.  She taught art and later supervised the arts education programs in the New Hanover County public schools. Georgeann retired in 2015 and renewed her focus on painting. Currently her artwork resides in public and private collections and museums throughout the United States. She now lives in Wilmington, North Carolina with her husband Doug.

Artist statement:

Working on several pieces at once, the initial process of painting begins by layering paint, paper, ink, pencil – sometimes even old artwork is torn and added to a new work. The next step involves deciding which elements to keep, which to omit, and which to add. Creating depth and dimension among the elements is the challenge; discovering unexpected points of departure is the reward. Perhaps because images of the southeastern United States are so deeply ingrained in my psyche, the work often reflects a horizon and local landscape features.

After many years as a fashion illustrator and sportswear designer, Jeri turned her love of graphic design towards advertising next. Having time to devote herself to painting again, and falling in love with the pastel medium, has led to a new and interesting “next act”, as a full time painter and teacher.

Feeling that “Pastels are an immediate tool to express feelings” and the perfect vehicle in which to “Make the Ordinary, Extraordinary” and tell stories in her paintings, Jeri works to constantly get a deeper understanding of this wonderful medium. With her background in illustration, Jeri helps her students get a strongly drawn foundation down behind their color work.

Jeri loves painting still lifes, urban interiors, figures and fabrics, and the occasional landscape as well.Recently relocated, Jeri teaches weekly classes at the Cameron Art Museum in Wilmington NC, and holds demos and workshops around the country, as well as jurying national and international pastel exhibits.

Jeri is currently hosting a Holiday Sale until the end of the year with many more works available.  Please visit her site to view more!

“I love color, it goes back to the things I saw as a child – a Christmas tree, a ball bouncing, a kite.”
—Dorothy Gillespie

Dorothy Gillespie was well known as a painter, sculptor, and installation artist whose work encompassed many significant 20th-century trends in art, including abstract expressionism, decorative abstraction, site-specific installations, the women’s movement, and art in public spaces. She pioneered joyful new directions for metal sculpture and is best known for large-scale, colorfully painted arrangements of cut aluminum strips that radiate, undulate, or curl like giant arrangements of ribbon, enchanted towers, or bursting fireworks.

Dorothy Gillespie’s illustrious career in art spanned over 70 years during which time she created, exhibited and sold her art work nationally and internationally.

Gillespie, born in Roanoke, VA, declared early her intention to become an artist. She studied art at the Maryland Institute College of Art, Baltimore, MD then moved to New York City where she studied at the Art Student’s League of New York and the Stanley William Hayter’s Atelier 17.

Among her many honors, Gillespie received The Alice Baber Art Fund, Inc. Grant Award; a Doctor of Pedagogy, Niagara University, Niagara Falls, NY 1990; a Doctor of Fine Arts (Honoris Causa) Caldwell College, Caldwell, NY 1976; an Allied Professions Award,Virginia Society; The American Institute of Architects, Richmond, VA 1986; Distinguished Alumni Award, Maryland Institute, College of Art, Baltimore, MD 1983; Outstanding Services Award, University of Arkansas at Little Rock, AR 1983; and, the Lifetime Achievement Award from the Women’s Caucus for Art in 2001. The Gala 8  ” Distinguished Woman” Award at Birmingham Southern College in 1987 honoring women who have made lasting contributions to our society in the fields of endeavor ranging from the arts, medicine, philanthropy, journalism, government, sports, entertainment and business”.

In addition to her demanding studio work, Gillespie served as a Distinguished Professor of Art, Radford University, Radford, VA 1997-99; on the Board of Trustees, Maryland Institute, College of Art, Baltimore, MD 1996-99; on the Board of Trustees, Maitland Art Center, Maitland, FL 1996-99; and on the Art in Public Places Committee, Broward Cultural Affairs Council, June 1993-June 1994; and as Visiting Artist, Radford University, Radford, VA 1981-83 where she initiated the University’s permanent art collection through a gift of her own work and where her work is now archived. Woodrow Wilson Visiting Fellow from 1985-1993. During that period she made week-long visits to small private colleges throughout the country and gave public lectures, coached and taught young artists.

Early in her career, Gillespie contributed to the women’s art movement through her work at Artist in Residence, Women’s Interart Center, New York, NY 1972 and her lecture series at the New School for Social Research, New York, NY 1977. Gillespie is the subject of numerous reviews, critical essays, film and radio interviews and a book Dorothy Gillespie published by the Radford University Foundation Press.

Click here to download our DG Interactive Brochure featuring Dorothy Gillespie’s work around Wilmington!

Mark Gansor is a native of Pittsburgh, Pennsylvania.

In the early 90’s while supporting himself as a church organist and freelance piano accompanist, he began experimenting with decorative painting as a hobby.  Soon it blossomed into a full-time profession.   He now devotes his time to rendering decorative finishes, faux effects, plasters, and murals.  He works in both residential and commercial settings and has painted in several buildings that are listed on the National Registry of Historic Places.   Completely self taught, he learned the painting craft through reading books and studying the work of others. He has been trained in the application of fine Venetian plasters and has taken master classes in Trompe l’oeil painting. He has painted in commercial and residential structures throughout North Carolina and the Grand Strand of South Carolina.

For several years he has been painting works on canvas and hopes that this can be his career in retirement. His work is available at Art in Bloom Gallery. He has also recently become the Organist at First Baptist Church in downtown Wilmington.

ARTIST’S STATMENT

“I have been painting for over 25 years but have only now begun to see things in full color. Art is a journey after all: perception is not just blue sky and green grass. Bright color, thick paint, landscapes, and Wilmington architecture are all things that stimulate me. My formal training is in music which was my career prior to painting. Over the years I have dabbled in painting canvases, becoming even more passionate about it since moving to Wilmington.  Transitioning from walls to canvases I believe that finally my personal style is beginning to develop.  My dream and goal is to become solely a painter, an interpreter of the beauty around me.”

Wm. Fridrich: Photographs

Robert Hughes, referring to the DADA move­ment (and Marcel Duchamp in particular), said that “like his Bottle Rack, Bicycle Wheel and other ‘ready­mades’…the world is so full of interesting objects that the artist need not add to them. Instead he could just pick one, and this ironic act of choice was equivalent to creation.”

The camera is the definitive instrument for making these ironic acts of choice. Then the function of this device — to record what already exists — in the DADA belief, is equivalent to the act of creation.

Wm. Fridrich studied art, sculpture and photography at UCLA, motorcycle magazines and in the U.S. Army, as a combat illustrator. He then launched a successful graphic design career in the early 1970s.

Introduced to the Dada and Surrealist movements by his wife, art historian Marsha McKee, William became clinically obsessed with Marcel Duchamp, Man Ray and Joseph Cornell: he has not yet recovered.

More of his work can be found on his WEBSITE.

“I’ve been a photojournalist, commercial photographer and art photographer for more than 35 years. The overall theme of my art images could be described as “ordinary beauty, closely observed.” These images are often from nature and although they are focused on still life subjects, there is a dynamic sense of movement and emotionalism in them. In recent years I’ve been playing around with scanning objects, as opposed to photographing them, creating “scanographs. Scanography is a process of image capture using a flatbed scanner as the image capturing device. I work from nature, scanning live flowers, etc. I then print out the resulting digital images on high quality, archival photo paper.”

Susan lives and works in Wilmington.

Local artist and potter, Dianne Evans, has had a passion for art since childhood. She was born and raised in scenic Indiana, Pennsylvania. Dianne developed an interest in art while studying under an inspirational high school art teacher. This experience also inspired her to want to become a teacher. Dianne earned a BS in Elementary Education from Indiana University of Pennsylvania in 1994. In 1995 she moved to Wilmington, North Carolina where she began teaching in several private schools. Although she is no longer teaching, she works at the University of North Carolina Wilmington. Continuing her love of art, she took art classes at UNC Wilmington in 2009-2010 where she focused on sculpture and ceramics. A field trip to Penland School of Crafts sparked an interest in pursuing ceramics as an art form.

Dianne is an active member of the Coastal Carolina Clay Guild and participates in local art shows. She predominately works in the medium of clay focusing on hand-built pottery.

Artist Statement

My current work consists of minimalistic forms that make a statement on their own and act as a canvas for designs and patterns. The form dictates the design. My surface decorations are inspired by curves, organic shapes and repetition and the relationship between form and design.  The shapes and patterns interact with each other creating movement across the surface and draws your eye around the piece. My work is meant to bring people joy, peace and serenity through form, color and design.

Artist Statement

My current body of work is inspired by contemporary and futuristic objects and architecture. My sculptural work reflects modern abstract designs that resemble architectural structures. These structures consist of curvilinear and geometric lines and shapes that move the viewer’s eyes around the piece. The negative cutouts and recesses in the sculptures resemble windows or doors that do not reveal the interior space. I am intrigued by how the light and shadow interplay while painting an interesting shadow on the pedestal or wall. The shadow is different depending on the angle at which the light approaches the piece.  The patinaed surfaces on my work reveal an aged or weathered look. I find the juxtaposition of present and past intriguing. I incorporate similar elements into my pottery with the intention of conveying modern designs with interesting lines and angles that draw the user’s eyes around and into the piece.

Biography

Brian Evans was  raised in Western Pennsylvania where he graduated in 1993 from Indiana University of Pennsylvania with a B.A. in Studio Art where he focused on sculpture and painting.  He moved to Wilmington, North Carolina in 1995.  He began in ceramics through the Continuing Education program at Cape Fear Community College while searching for an outlet for artistic expression. Brian studied under a Japanese-American Potter named Hiroshi Sueyoshi. He immediately recognized the caliber of Hiroshi’s skills as an artist and took full advantage of his instruction.

From 2002 through 2008, Brian taught Pottery Classes through the Cape Fear Community College Continuing Education Program. He also became a full-time ceramic artist. Since 2002, He has received various awards at Fine Art Shows and Art Festivals. In 2003 and in 2005, Brian was awarded The Regional Artist Grant for New Hanover County, North Carolina. His work can be found in public and private collections across the nation and abroad. Brian is a founding member of the Coastal Carolina Clay Guild in Wilmington, NC which began in 2007. He is currently the Executive President of Orange Street Pottery Incorporated which is a 501c3 organization that includes Coastal Carolina Clay Guild. Brian began teaching at Orange Street Pottery in 2017 and is teaching there currently.

ARTIST’S STATEMENT

Elizabeth Darrow has made Wilmington her home since 1977. Born in Hartford, Conn. Darrow is a 1967 graduate of Oberlin College (Oberlin, Ohio), where she majored in painting. She has been working in oil and collage throughout her career, usually in the manner of Abstract Expressionism.

She works in a variety of styles depending on her medium, but never works “from life” in the traditional sense. Most of the imagery that comes to her seems to hatch of its own accord, emerging from the process. Darrow enjoys working with color, repeating patterns and embedding humor (and angst) into her work. Each piece takes her on a journey of discovery where she hopes to lose herself to the process.

Darrow’s works are held in many private collections locally and abroad. Additionally, her work can be found in the permanent collections of the Cameron Art Museum here in Wilmington, N.C., Duke University Medical Center, R.J. Reynolds, Lowes, Wells Fargo, BB&T Bank, SAS Institute, Sara Lee Inc., The Holiday Inn and Nations Bank.

Additionally, many of Darrow’s works can be found backstage at the Wilson Center, Cape Fear Community College’s center for performing arts. This group of work was donated to the Wilson Center in celebration of original art by anonymous donors.  Click here to view a slideshow of her work located at the Wilson Center.

Click here to view a slideshow of past and present art by Elizabeth Darrow.

Look deeper into the many phases and processes of Elizabeth Darrow’s art work in this documentary titled Elizabeth Darrow: Believing in the Process. the documentary was created by: Jessie Robertson, Robby Carl and Christina Capra 2019.

“Start With The Eyes” documents a new process for Elizabeth Darrow.  Once again she allows the process to lead her to the outcome, rather than working from a preconceived idea.  Elizabeth Darrow: Start with the Eyes, The documentary was created by: Jessie Robertson, and Christina Capra August 2021.

ARTIST’S STATEMENT

Elizabeth Darrow has made Wilmington her home since 1977. Born in Hartford, Conn. Darrow is a 1967 graduate of Oberlin College (Oberlin, Ohio), where she majored in painting. She has been working in oil and collage throughout her career, usually in the manner of Abstract Expressionism.

She works in a variety of styles depending on her medium, but never works “from life” in the traditional sense. Most of the imagery that comes to her seems to hatch of its own accord, emerging from the process. Darrow enjoys working with color, repeating patterns and embedding humor (and angst) into her work. Each piece takes her on a journey of discovery where she hopes to lose herself to the process.

Darrow’s works are held in many private collections locally and abroad. Additionally, her work can be found in the permanent collections of the Cameron Art Museum here in Wilmington, N.C., Duke University Medical Center, R.J. Reynolds, Lowes, Wells Fargo, BB&T Bank, SAS Institute, Sara Lee Inc., The Holiday Inn and Nations Bank.

Additionally, many of Darrow’s works can be found backstage at the Wilson Center, Cape Fear Community College’s center for performing arts. This group of work was donated to the Wilson Center in celebration of original art by anonymous donors.  Click here to view a slideshow of her work located at the Wilson Center.

Click here to view a slideshow of past and present art by Elizabeth Darrow.

Look deeper into the many phases and processes of Elizabeth Darrow’s art work in this documentary titled Elizabeth Darrow: Believing in the Process. the documentary was created by: Jessie Robertson, Robby Carl and Christina Capra 2019.

“Start With The Eyes” documents a new process for Elizabeth Darrow.  Once again she allows the process to lead her to the outcome, rather than working from a preconceived idea.  Elizabeth Darrow: Start with the Eyes, The documentary was created by: Jessie Robertson, and Christina Capra August 2021.

ARTIST’S STATEMENT

Elizabeth Darrow has made Wilmington her home since 1977. Born in Hartford, Conn. Darrow is a 1967 graduate of Oberlin College (Oberlin, Ohio), where she majored in painting. She has been working in oil and collage throughout her career, usually in the manner of Abstract Expressionism.

She works in a variety of styles depending on her medium, but never works “from life” in the traditional sense. Most of the imagery that comes to her seems to hatch of its own accord, emerging from the process. Darrow enjoys working with color, repeating patterns and embedding humor (and angst) into her work. Each piece takes her on a journey of discovery where she hopes to lose herself to the process.

Darrow’s works are held in many private collections locally and abroad. Additionally, her work can be found in the permanent collections of the Cameron Art Museum here in Wilmington, N.C., Duke University Medical Center, R.J. Reynolds, Lowes, Wells Fargo, BB&T Bank, SAS Institute, Sara Lee Inc., The Holiday Inn and Nations Bank.

Additionally, many of Darrow’s works can be found backstage at the Wilson Center, Cape Fear Community College’s center for performing arts. This group of work was donated to the Wilson Center in celebration of original art by anonymous donors.  Click here to view a slideshow of her work located at the Wilson Center.

Click here to view a slideshow of past and present art by Elizabeth Darrow.

Look deeper into the many phases and processes of Elizabeth Darrow’s art work in this documentary titled Elizabeth Darrow: Believing in the Process. the documentary was created by: Jessie Robertson, Robby Carl and Christina Capra 2019.

“Start With The Eyes” documents a new process for Elizabeth Darrow.  Once again she allows the process to lead her to the outcome, rather than working from a preconceived idea.  Elizabeth Darrow: Start with the Eyes, The documentary was created by: Jessie Robertson, and Christina Capra August 2021.

After more than twenty years of trial practice, Karen Paden Crouch traded her law office for the welding shop and began learning direct metal sculpture.

She works in bronze, copper and steel to create organic pieces for the house and garden. An avid gardener, Karen grounds her work in the structure and movement of living things.

Her work was recently featured in Dwell Magazine, where Karen’s welded-bronze sculpture, “Abracadabra,” is photographed.  View the article in Dwell Magazine.

Artist Statement

I work because I must. It is my passion, and every day that I am allowed to make something is an unexpected blessing. I work for the pure satisfaction of putting things together.

From my teen years forward I wanted to write. I attended colleges and graduate school with that goal in mind. Instead I found myself becoming a scholar, partly because I was afraid and partly because I was young and had little to write about. I left graduate school in the middle of my dissertation after my revered and well-meaning advisor praised a paper rich with analytical insight although sacrificing some of the spontaneity of my earlier writing. That did not seem to me, even at 25 or 26, to be a fair trade, and so I went to law school where, as I saw it then, I would have a more direct experience, an experience not derivative from another person’s art.

For more than twenty years I successfully and passionately advocated for a client’s position. I was in the thick of things, but I was safe behind the cover of advocacy. My plea, no matter how gutsy, was for someone else. Now I am sculpting and writing. Nothing I have done has been so frightening because this is about something directly from me. Whether it is good or bad, understood or misunderstood, trite or significant, it has come from within me. It is put out there for any passerby to embrace, ignore, or dismiss. I am proud and excited to run new hurdles.

My metal sculptures are grounded in the structure and movement of living things. When I work in bronze, I begin with a flat sheet from which I cut shapes. I heat these shapes with a torch and beat them into contoured pieces which I then weld into the sculpture’s form. Files, various abrasives and chemical patinas give the sculpture its final finish. Although I begin with a vision, the sculpture takes its own direction; if I will listen it will be a better piece. The found metal pieces grow from collected shapes. Sometimes I have an idea; sometimes I just start juxtaposing parts until an image emerges. My studio mate Marshall Milton once told me that sometimes the very piece that sparked the idea will be the piece that gets cut out as the sculpture evolves. That is true, even though it is always hard to make that choice. But I have always lived by instinct and, with assembled pieces, as well as the bronzes, the sculpture will tell me where to go if I am patient and listen.

My work is dedicated to the memory of Bill Thorp and in honor of Pat Webster. More than ten years ago atop a high North Carolina mountain these two, my shaman, set me on the restless path to living. While I hope each sculpture stands on its own, every piece I make reflects some part of that precious experience. Thank you Pat

Judy started painting while living in Peru, SA, at the age of 26.  That was over 40 years ago.

Upon returning to the USA, Judy worked as an artists’ model, where she met established artists, who critiqued her art.  This was invaluable. She was taught how to “see” color, composition and expression.  Her quest to learn more gave her the incentive to enroll at the University of Maryland for a second BA, in Studio Arts.

Ms. Hintz Cox resigned from her Psychiatric RN career to pursue art full time in 1999.  For the past 20 years, Judy has developed a unique style as an abstract minimalist.

She has exhibited extensively throughout the USA.

Artist’s Statement

Picture a blank canvas. Prior to beginning a new painting, I sit and stare at a blank canvas.  My attempt is to empty my mind.  I have no preconceived image.  After some time, I stand in front of the canvas and apply paint. The process has begun. I step back to view the canvas and take my cues from what I see.

I am interested in conveying spaciousness. I believe there is infinite space within each of us.  It is that place of stillness which brings joy. The spaciousness I attempt in my art is meant to be a reminder of possibilities, not necessarily a sense of joy.

When painting, one canvas leads to another and each is an attempt to reach my ongoing quest. When “caught up” in the mental exercise of self-validation, the painting suffers. Therefore, I attempt to let go of thoughts.

I don’t expect viewers to respond to my work the same way I do.  If any emotion is felt while looking at my work, that is enough.

American artist, Bradley Carter, is an award winning, international selling artist who grew up pursuing his passion for art in Virginia prior to moving to North Carolina in 2007. He predominately works in the medium of painting with his passion in Abstract Expressionism, but his works also include collage, paint skins, and furniture.

Bradley completed his BFA in painting and printmaking from Virginia Commonwealth University in 2002. He is active in both local and national juried shows. He is active in regional Art associations and past curator of Abstract Expressionism on Fine Art America (FAA). Bradley currently has work in Eclipse Artisan Boutique, Art in Bloom Gallery, The George on the River Walk, and Port City Mortgage in Wilmington. His work can be seen on ABC’s Secrets and Lies, Season One. He currently resides in Wilmington, NC.

Actor, singer, and glass artist, Richard Bunting has shown his glass art in North Carolina, South Carolina, and Ohio.  He has created and refined his performing art for over 35 years and his glass art for over 16 years.

Richard writes, “Dancing with molten glass is like dancing with a great (but HOT) partner.  As a singer, actor, dancer, director the last four decades, glass blowing fits as a theatrical experience.”

Debra Bucci is known for her vibrant and engaging floral paintings.

Dynamic color palettes, moving compositions and translucency from layering oils all work together to enhance the depth and bring Debra’s art to life. Her inspiration comes from the high’s and low’s of the  human experience and believes this tension makes the art connectable. Her style is rooted in realism and woven with abstract elements.

Debra is a published illustrator and has achieved success as a licensed fine artist. Her art has been featured in Plow & Hearth magazine and can be found on ArtNeedlepoint.com. She has public and private collectors throughout the US including Savorez Restaurant and Wilmington Magazine. She is an anchor artist at Art in Bloom Gallery and is showing work at The Cameron Art Museum. She recently had a show at The District Kitchen & Cocktails and has exhibited at the Wilmington International Airport.

Debbie has a BFA in Design from Drexel University where she studied oil painting and enjoyed a corporate career in Package Design. She has recently moved to Wilmington, NC with her husband “Art” and dog “T-Bone”.

Bob Bryden’s work exists comfortably within the traditions of minimalism and optical art. Utilizing the simple elements of point, line and plane he creates abstract images which are highly structured and concise while at the same time are optically active and visually illusive. The perceptual experience of his work involves the interaction of seeing and understanding and is directly related to how vision functions.

Bob Bryden grew up in the Piedmont region of North Carolina. He is a graduate of Guilford College in Greensboro, NC. He went on to do graduate work in South Asian art history at the University of Michigan in Ann Arbor. His desire for a greater involvement with creative arts lead to Kentucky and graduate work at the University of Louisville where he received a Masters Degree in Art with a concentration in printmaking. In addition to art he has worked primarily in graphic design and commercial printing. Today he pursues his creative endeavors in his swamp side home/studio in Wilmington, NC.

View more of Bob’s work at: www.bobbrydenart.com

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