“I love color, it goes back to the things I saw as a child – a Christmas tree, a ball bouncing, a kite.”
—Dorothy Gillespie
Dorothy Gillespie was well known as a painter, sculptor, and installation artist whose work encompassed many significant 20th-century trends in art, including abstract expressionism, decorative abstraction, site-specific installations, the women’s movement, and art in public spaces. She pioneered joyful new directions for metal sculpture and is best known for large-scale, colorfully painted arrangements of cut aluminum strips that radiate, undulate, or curl like giant arrangements of ribbon, enchanted towers, or bursting fireworks.
Dorothy Gillespie’s illustrious career in art spanned over 70 years during which time she created, exhibited and sold her art work nationally and internationally.
Gillespie, born in Roanoke, VA, declared early her intention to become an artist. She studied art at the Maryland Institute College of Art, Baltimore, MD then moved to New York City where she studied at the Art Student’s League of New York and the Stanley William Hayter’s Atelier 17.
Among her many honors, Gillespie received The Alice Baber Art Fund, Inc. Grant Award; a Doctor of Pedagogy, Niagara University, Niagara Falls, NY 1990; a Doctor of Fine Arts (Honoris Causa) Caldwell College, Caldwell, NY 1976; an Allied Professions Award,Virginia Society; The American Institute of Architects, Richmond, VA 1986; Distinguished Alumni Award, Maryland Institute, College of Art, Baltimore, MD 1983; Outstanding Services Award, University of Arkansas at Little Rock, AR 1983; and, the Lifetime Achievement Award from the Women’s Caucus for Art in 2001. The Gala 8 ” Distinguished Woman” Award at Birmingham Southern College in 1987 honoring women who have made lasting contributions to our society in the fields of endeavor ranging from the arts, medicine, philanthropy, journalism, government, sports, entertainment and business”.
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n addition to her demanding studio work, Gillespie served as a Distinguished Professor of Art, Radford University, Radford, VA 1997-99; on the Board of Trustees, Maryland Institute, College of Art, Baltimore, MD 1996-99; on the Board of Trustees, Maitland Art Center, Maitland, FL 1996-99; and on the Art in Public Places Committee, Broward Cultural Affairs Council, June 1993-June 1994; and as Visiting Artist, Radford University, Radford, VA 1981-83 where she initiated the University’s permanent art collection through a gift of her own work and where her work is now archived. Woodrow Wilson Visiting Fellow from 1985-1993. During that period she made week-long visits to small private colleges throughout the country and gave public lectures, coached and taught young artists.
Early in her career, Gillespie contributed to the women’s art movement through her work at Artist in Residence, Women’s Interart Center, New York, NY 1972 and her lecture series at the New School for Social Research, New York, NY 1977. Gillespie is the subject of numerous reviews, critical essays, film and radio interviews and a book Dorothy Gillespie published by the Radford University Foundation Press.
Click here to download our DG Interactive Brochure featuring Dorothy Gillespie’s work around Wilmington!
